25th DOXA Documentary Film Festival Announces 2026 Festival Line-up--April 30th-May 10th


 Vancouver, BC--DOXA Documentary Film Festival, returns to present the 25th edition from April 30 - May 10, 2026. The 2026 line-up announced today, showcases 40 features and 29 short or mid-length films, including 27 Canadian films alongside international films from 41 countries. Forty visiting filmmakers and industry leaders will be in attendance. Films holding their World Premieres at DOXA 2026 include Under the Red Roof by Yushi Nagamatsu, Illustrated Legacies: Graveyard of the Pacific by Tanner Zurkoski, The Flower and the Flood by Elisa González and Bubba by Kayli Koonar. Screenings will take place at SFU’s Goldcorp Centre for the Arts, The Cinematheque and VIFF Centre, with industry events held at SFU’s World Art Centre and The Post at 750.

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"We are excited to celebrate 25 festival editions highlighting important, entertaining and relevant documentary films," says Artistic Director Sarah Ouazzani. "This is an important milestone, and we are pleased to share a great program with the Vancouver film community once again this year, including a slate of innovative short films, a diverse range of International and Canadian features, and a thought-provoking and informative series of Industry events."

Still from Bella Sutra

The DOXA 2026 Opening Gala presentation is the live cinematic performance piece Bella Sutra, taking place at 7:00pm on Thursday, April 30 at the Fei and Milton Wong Experimental Theatre at SFU Goldcorp Centre for the Arts. Directed and narrated by OK Pedersen and accompanied by musicians Eden Glasman and Jakob Tokarczyk, Bella Sutra is a personal essay about life as an innkeeper in Bella Coola, BC. With honesty and levity, the piece reflects on our current communication crisis, the rural/urban philosophical divide, and the myth of progress. The presentation will be followed by a reception with refreshments.

Still from Concrete Turned to Sand

DOXA’s Mid-Week Gala presentation, taking place at 7:00pm on May 6 at VIFF Centre, is the BC Premiere of Concrete Turned to Sand, directed by local filmmakers Jessica Johnson and Ryan Ermacora. The film follows oyster farmers on Cortes Island, BC, and observes the shifting intertidal zone under the pressures of ocean warming and acidification. Johnson and Ermacora will also participate in an Industry Panel on May 2 at 3pm at SFU’s World Art Centre. 

Still from Saigon Story

DOXA’s Justice Forum is returning for its 16th year, highlighting films that showcase resistance, environmental justice and human rights. Saigon Story: Two Shootings in the Forest Kingdom is the Justice Forum Special Presentation, which will screen at 5:15pm on May 1 at VIFF Centre. The film explores the connection between two families and the famous photograph Saigon Execution. Oscar-nominated filmmaker Kim Nguyen will be in attendance. 

Still from Time & Water

The Closing Gala presentation is the BC Premiere of Time and Water, from Oscar-nominated director Sara Dosa, and will take place at 6:30pm May 9 at SFU’s Goldcorp Centre for the Arts. The film is a lyrical meditation on climate grief, memory and belonging, centred on writer Andri Snær Magnason. Drawing from Magnason’s home movies and photographs, myths and songs, the film is an intimate and expansive cinematic journey through memory and loss. 


Other highlights from this year’s lineup include AMERICAN DOCTOR (Sundance, Hot Docs), Bouchra (TIFF), Traces (Berlinale), Who is Still Alive (Venice, Hot Docs), Steal This Story, Please! (DOC NYC, Hot Docs), Windward (Cinema du réel), Powwow People (TIFF), Alea Jacarandas (Visions du reel), Life After Siham (ACID Cannes), The Sandbox (CPH:DOX, Hot Docs) and The Oldest Person in the World (Sundance, Hot Docs). Local features with filmmakers in attendance include təm kʷaθ nan Namesake, Green Valley, Touching Rocks, In Tyee Country and The Latest News from ‘Deseret,’ as well as the previously mentioned Illustrated Legacies: Graveyard of the Pacific and Concrete Turned to Sand.


DOXA is pleased to present South Korea as the Country of Honour with guest curation by Byungwon Jang, Head Programmer of the DMZ International Documentary Film Festival (DMZ Docs). Jang previously served as the Editor-in-Chief of the Korean film weekly FILM2.0 and worked as a programmer for the Jeonju International Film Festival. Currently, he is active as a film critic and teaches film theory at Chung-Ang University in Seoul. This guest-curated program includes feature films Beyond Now, Nyein (2025) and Untold (2021), and short films The Silent Bearers (2023) and Last May in Theatres (2025). Tying these films together, Byungwon Jang is also contributing an essay, titled No Barriers, No Nations: Transnational Expansion in Contemporary Korean Documentary, to be published in the 2026 DOXA program book. 


Returning to the festival this year is DOXA’s Rated Y for Youth–a program of films curated to foster media literacy in youths. The popular paraDOXA program, which spotlights experimental and boundary-pushing documentaries, will return for its second year. In addition, DOXA’s robust industry program will feature panels and masterclasses, as well as a series of free workshops and a surprise screening held in partnership with VPL’s Central Library. 


All tickets and festival passes are on sale now at doxafestival.ca. Festival passes include access to all film screenings as well as our Opening and Closing Galas, and Mid-Week Film.

                                                            
                                                                   Still from Illustrated Legacies: Graveyard of the Pacific


The entire DOXA Documentary Film Festival Lineup Includes:


FEATURE FILMS:


Bella Sutra (Canada) *film performance

Director: OK Pedersen


Green Valley (Canada)

Director: Morgan Tams


The Latest News from 'Deseret' (Canada)

Director: Christopher Pavsek


Illustrated Legacies: Graveyard of the Pacific (Canada)

Director: Tanner Zurkoski


təm kʷaθ nan - Namesake (Canada)

Director: Evan Adams & Eileen Francis


Concrete Turned to Sand  (Canada)

Director: Jessica Johnson, Ryan Ermacora


In Tyee Country (Canada)

Director: Jevan Crittenden & Nate Slaco


Soul of the Foot (Turkey/Canada)

Director: Mustafa Uzuner


致亞歷珊卓 To Alexandra (Canada/USA/China)

Director: Yi Cui


Saigon Story: Two Shootings in the Forest Kingdom (Canada)

Director: Kim Nguyen


There Are No Words (Canada)

Director: Min Sook Lee


Partition / تقسیم (Canada/Lebanon/Palestine)

Director: Diana Allan


Kindergarten (Canada)

Director: Jean-François Caissy


The Sandbox (Canada)

Director: Kenya-Jade Pinto


Puntos de fuga (Vanishing Points) (Canada, Colombia)

Director: Lina Rodriguez


Untold (South Korea)

Director: Bora Lee-Kil


Bouchra (Italy, Morocco, United States)

Director: Orian Barki, Meriem Bennani


Time and Water (USA, Iceland)

Director: Sara Dosa


Powwow People (USA)

Director: Sky Hopinka


Beyond Now, Nyein (South Korea)

Director: Lim Daecheong


Life After Siham (France, Egypt)

Director: Namir Abdel Messeeh


Under the Red Roof (Japan)

Director: Yushi Nagamatsu


Enough is Enough (France & Democratic Republic of the Congo)

Director: Elisé Sawasawa


Remake (USA)

Director: Ross McElwee


AND THE FISH FLY ABOVE OUR HEADS و الأسماك تطير فوق رؤوسنا (Lebanon/France/Saudi-Arabia)

Director: Dima El-Horr


WINDWARD (USA/Canada)

Director: Sharon Lockhart


Replica (Australia/France)

Director: Chouwa Liang


The Life that Will Come/ La vida que Vendrá (Chile/Colombia)

Director: Karin Cuyul


Numakage Public Pool (Japan)

Director: Shingo Ota


What Comes from Sitting in Silence? (France/South Korea/Switzerland/USA)

Director: Sophie Schrago


Alea Jacarandas (Algeria/France)

Director: Hassen Ferhani


Amílcar (Spain/France/Portugal/Cabo Verde/Sweden)

Director: Miguel Eek


AMERICAN DOCTOR (United States/State of Palestine/Malaysia/Qatar)

Director: Poh Si Teng


Ça reste entre nous (Iran)

Director: Maryam Shapoorian


Frío Metal (México)

Director: Clemente Castor


Who is Still Alive (Switzerland/Palestine/France)

Director: Nicolas Wadimoff


Traces (Ukraine/Poland)

Director: Alisa Kovalenko, Marysia Nikitiuk


Steal This Story, Please! (USA/East Timor/Nigeria)

Director: Carl Deal & Tia Lessin


Stories of a Lie (Greece/France)

Director: Olia Verriopoulou


The Oldest Person in the World (USA)

Director: Sam Green



SHORTS & MID-LENGTH FILMS:


Au Hasard (Canada)

Director: Darren Dominique Heroux


Tuktuit : Caribou (Canada)

Director: Lindsay McIntyre


Mirrorpond (Canada)

Director: Christopher Pavsek


The Flower and the Flood (Canada)

Director: Elisa González


BAEA (USA)

Director: Terra Long


Living Containers (Canada/USA)

Director: Kara Hansen


Bubba (Canada)

Director: Kayli Koonar


Touching Rocks (Canada)

Director: Laurence Olivier


Last Evenings on Earth (Canada)

Director: Ralitsa Doncheva


Morning Circle (Canada/United Arab Emirates)

Director: Basma al-Sharif


Momentum (Canada)

Director: Nada El-Omari


TIGERS CAN BE SEEN IN THE RAIN (Colombia/Canada)

Director: Oscar Ruiz Navia


FELT (USA/Spain/Canada)

Director: Blake Williams


Last May in Theaters (Indonesia/South Korea)

Director: Arief Budiman


The Silent Bearers  조용한 선박들 (South Korea)

Director: Yeoreum Jeong


Ndjimu (USA/DRC)

Director: Petna Ndaliko Katondolo


IS GANG STALKING REAL (USA)

Director: Theodore Collatos


Niña Chilapa - Chilapa Girl (Colombia)

Director: Juana Lotero López


Filme-Copacabana (Brazil)

Director: Sofia Leão


Le Meilleur Spectateur de la pièce historique qui se joue sur terre (France)

Director: taleb lachheb


Their Eyes (France)

Director: Nicolas Gourault


As Far As We Imagine (Belgium/Netherlands)

Director: Raouf Moussa


Intersecting Memory ذاكرة متقاطعة (Palestine/France)

Director: Shayma' Awawdeh


Okay Keskidee! Let Me See Inside (UK)

Director: Rhea Storr


Shelly's Leg (USA)

Director: Wes Hurley


Words Fly Back to the Black Earth (USA/China)

Director: Xiao Zhang


an open field (South Africa/ France/ Germany/Ethiopia)

Director: Teboho Edkins


The Phalanx (USA)

Director: Ben Balcom


Buckskin (USA)

Director: Mars Verrone


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